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The original catalog, which includes this essay, is available from Artists Space. Jack Goldstein is currently at work on a new film called The Jump. It is to be nineteen seconds long and will show a diver performing a somersault from a high board.
NEW YORK — Douglas Crimp —the art historian, critic, and curator who generated some of the most enduring, foundational texts on postmodern art, queer theory, and institutional critique, and whose later writings on dance galvanized the field and synthesized histories of ballet, modern dance, and postmodern performance—died of multiple myeloma early Friday morning in Manhattan. He was seventy-four years old. The show and, perhaps more significantly, the revised version of the catalogue essay that he published in the spring issue of October snapped into focus the attitude of a generation of artists who had grown up with, and who sought critical distance from, a new era of mass-media American image culture: Cindy Sherman, Sherrie Levine, Philip Smith, Troy Brauntuch, Jack Goldstein, Robert Longo, Laurie Anderson, and Louise Lawler among them.